The inside of the shoe embody an image
 
“Definition of Horma: The Horma is a mold on which the footwear is constructed. The Horma should be understood as a volume, a three-dimensional body. Therefore can be modified and this modifications transmitted to the footwear, both along and in the width and height, or combinations of the three dimensions: inner capacity.”
 
Horma is a theatrical solo dance piece that criticize pre-conception of images.
In the solo, there is a woman that tells different stories about how her image is percieve by other people's eyes. She also reveals the story of her father that is a reflection of what she could be, revealing the truth of what is behind, breaking the illusion of beauty.
 
How does this pre-conceptions affect that woman or that image of her that we are dealing with?, how this image can fit inside this pre conception? or in other words; how can she go inside the shoes that we choose for her?
All This questions are part of this trip outside and inside of that woman. Starting from a very teatrical language, going trough a very physical dance and ending with an abstact image/fantasy that the audience is collaborating and creating a last image full of black balloons.
 
Concept, choreography and dance  Olivia Court Mesa
Music Omer Sheizaf, Olga Guillot
Lights Amir Castro
 
Premiered at "Intima Dance Festival 2012", Tmoona Theater.
Mai 2012, Tel Aviv/ Israel.